Department of Art of the 19th-21st Centuries
phone: +420 221 183 514
e-mail: naumova@udu.cas.cz
Department of Art of the 19th-21st Centuries
Larysa Naumova studied philosophy, philosophy of culture, her dissertation topic was "Spectacle as a Cultural Phenomenon. The Philosophical Aspect" (Ph.D. 2004) in the field of Philosophical Anthropology, Philosophy of Culture (Kharkiv National University of V.N. Karazin). She also studied film and television directing at the Institute of Screen Arts of the Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University and worked as an independent director (collaborated with the studios Timecode, Viatel and others in Ukraine).
2011 - 2012 she worked at the Art Theory Department of the Kyiv National University of Culture and Arts, 2004 – 2008 – at the Film and Television Arts Department of the Kyiv International University. Since 2003, she has been working at the Institute of Screen Arts of the Kyiv National I.K.Karpenko-Kary Theatre, Cinema and Television University.
Since 2016, she has been collaborating with the popular magazine Kino-Theatre (Ukraine).
Field of research: film theory, avant-garde in cinema, Ukrainian cinema, Ukrainian avant-garde and cinema, constructivism, rhythm, time and space in cinema, "poetic" cinema, spectacle as a cultural phenomenon, Ukrainian film directing school, contemporary processes in screen spectacle.
Teaching in universities
Kyiv National I. K. Karpenko-Karyi University of Theatre, Cinema and Television / Institute of Screen Arts
Academy of Performing Arts in Prague (AMU) / Film and TV School (FAMU)
Research outputs (selection):
Наумова Л. Видовище як феномен культури. Соціокультурний вимір [Naumova L. Spectacle as a cultural phenomenon. Sociocultural dimension]. Kyiv. Kyiv International University. 2006. - 234 p.
Naumova L. Some Rhythm Studies in 1920s Constructivist Cinema Theory // ხელოვნებათმცოდნეობითი ეტიუდები [Studies in art criticism] თბილისი: გამომცემლობა "უნივერსალი". 2020. VIІI. [Art studies. Tbilisi: Universal Publishing House. 2020. Issue VIII]. 354 p., p. 131 – 146. http://www.batu.edu.ge/text_files/ge_file_3270_1.pdf
Наумова Л. Авангардні пошуки українських кінооператорів 1920-х років // Українська кінооператорська школа. Вибране. Зб. наук. статей. [Naumova L. Avant-garde search of Ukrainian cinematographers in 1920s // Ukrainian Cinematography School. Favorites. Coll. Science. Articles]. Kyiv. Kino-Teatr magazine editorial office, FOP Maslakov. 2020. 240 p., р. 115 - 129.
Наумова Л. Ритм у теорії українського кіно 20-х років ХХ століття // Науковий вісник Київського національного університету театру, кіно і телебачення імені І. Карпенка-Карого: Збірник наукових праць [Naumova L. Rhythm in the Ukrainian cinema theory of the 1920s // Scientific Bulletin of the I. Karpenko-Kary Kyiv National University of Theater, Film and Television: Collection of scientific works]. I. Karpenko-Kary Kyiv National University of Theater, Film and Television. Kyiv. 2019. Issue 24. 219 p., p. 86 - 94. http://nv.knutkt.edu.ua/article/view/183912, http://nv.knutkt.edu.ua/article/view/183912
Наумова Л. Теорія українського конструктивізму Валер’яна Поліщука // Науковий вісник Київського національного університету театру, кіно і телебачення імені І. Карпенка-Карого: Збірник наукових праць [Naumova L. Theory of Ukrainian constructivism by Valerian Polishchuk // Scientific Bulletin of the I. Karpenko-Kary Kyiv National University of Theater, Film and Television: Collection of scientific works]. I. Karpenko-Kary Kyiv National University of Theater, Film and Television. Kyiv. 2017. Issue 21. 206 p., p. 117 - 129. http://nv.knutkt.edu.ua/article/view/221082, http://visnyk.knutkt.com.ua/vipusk21.html
Current projects
Avant-Garde Movements in Ukraine, Russia and Central Europe (Researchers at Risk Fellowship – Ukraine).
Ukrajinská kinematografie. Na cestě k vlastní identitě (Strategie AV21. Anatomie evropské společnosti: historie, tradice, kultura, identita).