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Ústav dějin umění Akademie věd ČR, v. v. i.

Department of Art of the 19th-21st Centuries

The Department of Art of the 19th21st Centuries concentrates on research of visual art and architecture in the Czech lands in international context from 1800 to the present. In line with the institute’s priorities, the department supports not only individual research, but presently hosts also several larger team projects.

The project Matrix of photomechanical reproductions: Histories of Remote Access to Art (AV ČR Lumina quaeruntur, 2023–2027, Fedora Parkmann) examines the circulation of photomechanical reproductions of artworks in art journals between 1900 and 1950 and asks what was their impact on the distribution and popularization of art and on the discipline of art history itself. The bilateral project “Invisible Agents” in Architecture (1908-1938): Policies, Principles, and Projects in Central European Ministries of Public Works (WEAVE, 2023–2026, Vendula Hnídková) shift the research perspective of discourse in architectural history to the role of commissioners and aims to reveal not only state architecture in its diversity, but also the prejudices which still attend the scholarly discussion. The next team project Spaces, Objects, Authors and Curators: Building a Cultural Public in the Czech Lands 1780–1918 (2024–2026, GA ČR, 24-12190S, PI – Pavla Machalíková) is based on research of exhibition histories and aims at a deeper understanding of how exhibitions and the physical display of objects shape the modern public space where different meanings, purposes and consequences of art-viewing are constructed for various publics. The project Preserving Memory: Post-war Reflection on the Holocaust in Monuments and Fine Art (NAKI III, 2023–2027, Eva Janáčová) focuses on the relation between historical memory and places of the cultural landscape after WW II.

The long running project of the department Space of the Exhibition currently results in a running research database of art exhibitions in the Czech Lands between 1820–1950 which enables to concentrate on the exhibition as a mediator between artistic and public spheres.

Also, the department takes active part in several programmes of the Strategy AV21 scheme (The Anatomy of European Society, The City as a Laboratory of Change). The members cooperate with museum and galleries as curators of exhibitions and with various institutions as organizers of long-term collaborations (co-organizing the interdisciplinary symposiums in Plzeň) and special events (conferences on particular topics). The department host several doctoral and post-doc positions and took part in Researchers at Risk support scheme of the Academy. All members cooperate with a number of prominent art-historical institutions including universities and participate in various institutions' expert committees and advisory boards, while also being on editorial boards in a number of art-historical journals.

PEOPLE
Pavla Machalíková Pavla Machalíková

Head of Department
+420 221 183 514
machalikova@udu.cas.cz

PUBLICATIONS
Emil Holub
Emil Holub
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Ósaka 1970: Architecture, Environment and Media
Ósaka 1970: Architecture, Environment and Media
World
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Let s voskovými křídly
Let s voskovými křídly
Josef Mánes (1820-1871)
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Eagle Rips Eagle
Eagle Rips Eagle
Emil Filla, Chinese Art and Totalitarian Phantoms
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Galaxy Le Corbusier
Galaxy Le Corbusier
The World of Friends from the Studio in Paris in the Photographs from František Sammer’s Collection
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A Karlsbad Idyll? Jews in West Bohemian Spas
A Karlsbad Idyll? Jews in West Bohemian Spas
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PROJECTS
Spaces, Objects, Authors and Curators
Spaces, Objects, Authors and Curators
Building a Cultural Public in the Czech Lands 1790–1918
The Matrix of Photomechanical Reproductions
The Matrix of Photomechanical Reproductions
Histories of Remote Access to Art
“Invisible Agents” in Architecture (1908-38)
“Invisible Agents” in Architecture (1908-38)
Policies, Principles, and Projects in Central European Ministries of Public Works
Preserving Memory
Preserving Memory
Post-war Reflection on the Holocaust in Monuments and Fine Art
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